Oldfag American Nazi and White Nationalist types were such tedious faggots. This is valuable as a time capsule piece. This is what dissenters were reduced to between the destruction of right wing academia and greater cultural life and the regenerating rise of the internet.
"Jews run the media. They say Hitler was bad. Actually he was good. You aren't allowed to say Jews are bad. But you can say Communism was good and America is bad." Awesome Mister Pierce. I love it. Keep saying this forever. Great work.
Actual myths about media are interesting, and I like talking about them. And I disagree completely with Pierce, I don't actually think you really need to talk about Jews at all to get at the underlying points of these things. American mass media in general has a completely demented and humiliating relationship with violence, power, and male pathos which can be torn to pieces without characterising the phenomena as essentially Jewish. And this isn't even dishonest. Many of the great dissenters against this tendency were themselves Jewish. Every great Jewish artist has a great quote about Hitler somewhere in their Wikipedia.
Just lay out how things are, what's good and what isn't, and you'll get the good people. If Jews are bad, saying the right and correct things should give you an edge over them. With the people who matter anyway. Now watch me be correct where Pierce is wrong and gay and stupid.
Saving Private Ryan is a silly, maudlin movie with its head up its ass about a sacrifice which is implied to be particular. That is what makes it a disgusting film to me. It is not a film which values brotherhood, friendship, gallantry or glory. It's a film which looks at dead American servicemen as men who did a particular good job one time and is only concerned with the value of that one job. The greater human dynamics at play in World War 2 are not of interest. Which means nothing universal or timeless is said. It is a film which is almost powerless to reach people beyond the time and place of its release.
The film is called 'Saving Private Ryan', and the mission to save Ryan, because it's just the right damn thing, even though he's just a guy, but isn't his momma sad, is transparently an allegory for what Spielberg is saying the real mission of World War 2 was. In the American mind of the late 90s, who was the everyman you might have lost an ancestor in the rescuing of? Private Ryan does not work as a generalised statement of every kind. War is worth it or redeemed by random moments in which you get the chance to die for some random not too important person. That only works specifically for World War 2. And I imagine most allied servicemen never got a Private Ryan mission. What the film is doing is casting the war as a crusade to save the jews. Obviously. But made more ambiguous and appealing as The Jews are now one heroic gentile who wants to save himself. But the spirit is the same. What positive value can anything in a war have to a good person of late 90s America? Well it's said out loud in Schindler's List. "When you save a life, you save the world."
World War 2 as the great saving. There's your movie. When you save a life, you save the world. How many were lost in this saving? How many were actively killed? Well killing is morally intolerable, all those worlds taken away, so we have to kill those who would kill. It's like Popper or something. Better kill their wives and children too just to be safe. Popper probably also said something about how that's not morally compromising at some point so don't worry too much.
You can see America about to fall apart in Saving Private Ryan. War, a constant in human history, is something this society has no fucking idea how to deal with. They're allowed to believe in exactly one good war, which is manipulatively framed in terms and principles which are readily revealed to be hollow, hypocritical, and insane under light questioning. And if you can't talk about war, what else can't you talk about or understand? As I said above, no other element of authentic male pathos adjacent to war (a lot of it) is dealt with meaningfully or honestly by Saving Private Ryan. The whole thing is an absurd, complacent, scrambling yet self-satisfied morality tale attempting to hold together an untenable moral consensus. And obviously it failed. Nobody cares about this film anymore. It means nothing to anybody. This film came out in the same era as American Psycho. That's what it means to resonate. Even in caricatured form people recognise something fundamentally real in Patrick Bateman that's lacking in Tom Hanks the good little chungus soldier.
You see that, Mister Pierce? That is how you pierce a hostile narrative. Let's see a libtard dismiss this with a word. Which sacred principle have I tripped? Which third rail did I touch? On what grounds am I excluded from the discussion? This is called Media Literacy. And the libtard's expertise in the field has always been a paper tiger.
Enemy status: Unnamed, and destroyed.