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I don't know what the fuck you're saying and don't care enough to click back through five back and forth quoted paragraphs in long posts for context. When this kind of exchange is happening it's best to present your thoughts in context rather than relying on the quote chain. "x is the bigotry of low expectations". I don't care enough to reverse engineer this pithy comment and get it to make sense.bigotry of low expectations
We make things that already exist again because our consumer class is retarded and afraid of both new and old things. The answer our wise community elders such as Sphere Hunter have landed on is that all of our most advanced resources of media production should be spent making things that already exist again but superficially new so that we can all pretend to be excited and act like we have a new thing but not actually encounter anything we haven't seen before. Perfect. The whole energies of our media industries spent comforting people who are afraid to go on magipack or experience something by themselves without a video essay that came out last week telling them what to think.really? it seems like we're nearly incapable of doing anything else over here.
That and apparently we made a fourth Minions movie. I don't think that's comparable to Kamen Rider: Black Sun or Godzilla Minus One.
[...]let's talk about haruhi suzumiya in particular, then. the world and "lore" are extremely underdeveloped. this is not a Dwarf Fortress situation -- i would be surprised if Tanigawa sits down to write more than once a month or so. the latest light novel was released in 2020. in the Afterword, Tanigawa writes:
The fact you and so many others care about what are considered frivolous genre works by their creators obviously suggests something overwhelmingly superior in this culture. Beyond that you can call this behaviour a problem, but it's a problem you have, not one they have.all of these authors, with their freedom, are choosing to NEET it up until they die. the story arcs are quaint little things they come up with while taking a geriatric NEET bath. i have some hope for nishio ishin because of Katanagatari, which had an extremely bold and unusual ending for anime/LNs. he's also relatively young, although it seems like a lot of japanese people randomly die young due to Weak Body Disease.
You can't suggest that they would be better if they treated their work as a completely different class of activity. The attitude and process that produced Haruhi is the same one that means it'll probably never end. When you ask for a purposeful drive toward an ending in such a working you're asking for it to be what it is but also not.
These people can't meaningfully care about anything. The people who matter become bigger fans of Japan the higher up the human family you look."humans" as a whole are into tiktok and disney star wars.
Imagine if you had spent that time watching The Office. It could be so much worse. You are incidentally touching upon far better things while staring at Japan's lowest stuff.i watched seasonal anime for years because i was addicted to /a/. i forced myself to stop because i felt like my experience as a human was being impoverished by my poor media diet, which consisted largely of throwaway harem series where you pick "best girl" and then watch as none of the girls "win" in the end because that would actually end the series conclusively.
I can try to make a kind of sense of this. You're saying it's better to go back and look through anything that could be potentially interesting rather than things you can only appreciate as you engage with them alongside others in a frivolous and passing fashion? Yes, that's the problem I described above.occupying yourself with the entire history of media rather than social-media-media is universally superior regardless of the medium.
Seasonal anime is still television. An inherently low format that will only be good for so much. The fact we can even consider there could be something of interest there in one country's niche of animated television is remarkable. Did your declining interest in anime coincide with it getting worse, or did you just develop broader interests and watch most of the older stuff that interested you?i am lamenting, because i slowly lost interest in following seasonal anime over time. i simply do not feel that my time is best spent with this medium anymore. i'm much more interested in visual novels and other things. i would be happy to change my ways and realize that actually, anime is in a Renaissance era and i'm missing out on this by not picking 4 random series to follow every season. but i don't think that what i want is what mass audiences want, and people in the industry who want to tell stories like Gen Urobuchi are not normal.
Everyone loves Frieren now. I read the manga. I think it's very interesting and compelling stuff for a work obviously made for this kind of passing popular format. It's very cool that this is still possible. Was there ever a period where 4 random series would be amazing every season and something has fundamentally changed since then? Or is this "season" format for the entertainment of a certain class of person in a certain place in life, which no longer includes you?